2000 Archives

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Today we’re traveling back over a hundred years to meet Walter Bradford’s Fizzboomski the Anarchist! Inspired by the drama of the Russian Revolution, Bradford dreamed up his bungling anarchist, Fizzboomski (né Fitzboomski), whose assassination plots are constantly foiled by elaborately comic countermeasures; his targets, the Czar and the Prime Minister, forever one step ahead. The humor is pretty dark for the Sunday funnies, but the feature hardly takes itself seriously. Along with the madcap antics of the titular star we’re treated to those familiar jabs at Russia, you know, ending words in “-ski” or referring to the Prime Minister as the “Prime Minister-a-vitch.” Sometimes I worry you folks must think I live under a rock, but I will admit that I was surprised to see that sort of humor so early in the 20th Century (I think of that sort of silliness as more of a Cold War thing, but here it is).

The Stripper’s Guide featured this title a few months back and, needless to say, the coverage is certainly worth your time. If not for the history lesson, certainly for the color samples. According to Allan’s dates we have half the original run and all of the 1907 revival here in the archives (no luck finding that 1908 oddball). Enjoy.

BarnaclePress

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I love to check in with The Comics Reporter occasionally.

This time, I happened to discover an artist I wasn’t familiar with. Bill Everett toiled in the under-appreciated field of romance comics, and his artwork is exceptional.  I’ll let you go browse for yourself and see what I mean.

WADE

Cover for comic "Death Was My Rival"

 

 

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Although I knew about and occasionally used the Major 7th chords while playing rock and country, I really didn’t get into them deeply until I started studying jazz guitar.

Here is a terrific introductory article by Chris at The Guitar Lesson Review Blog — and I couldn’t improve on it, so I’m sharing it with you in total.

WADE

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In a previous post on the topic of guitar chord theory, I talked about how regular major chords are created from the 1, 3 & 5th notes of the major scale.

To recap, here are the C Major scale notes, with the 1, 3, 5 notes highlighted:

C major scale highlighted notes

which leads to the regular C Major chord as played in open position on the guitar: Read more on Guitar Chord Theory – Seventh Chords…

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The entire music industry is controlled by four multi-national corporations —

  1. Universal Music Group — Interscope Geffen A&M, The Island Def Jam Music Group, Universal Motown Republic Group, Decca Label Group, The Verve Music Group, A&M/Octone
  2. Sony Entertainment Group — RCA/Jive Records, J Records and Columbia/Epic, Arista, Legacy, Masterworks and various latin and country labels.
  3. Warner Music Group — Warner Bros, Elektra, Rhino, Atlantic and most of the major music publishing companies
  4. EMI Group — Angel, Astralwerks, Blue Note, Capitol, Capitol Latin, Capitol Records Nashville, EMI Classics, EMI CMG, EMI Records, EMI Records Nashville, Manhattan, Parlophone, Virgin Classics and Virgin Record

There’s not much left to gobble up. It’s already a conglomeration of conglomerates — all merged and homogeneous.  So the only thing left is incest.

The big news today is that Doug Morris — Worldwide Chairman and Chief Executive Officer of the Universal Music Group since 1995 — is moving over to Sony Entertainment Group as CEO.

The specialty of this 73-year-old (caucasian) music veteran?  Hip Hop and Rap.

I’m glad I don’t have to pull up to a stop light next to the chauffeured limo driving him to work, as I’ll bet it has an ass-kicking subwoofer system that gives you a concussion from a block away.  Yo!

Doug Morris and recording artists from Universal Group

D-Mor with homies Jay-Z and his posse

After exploiting piloting the careers of Jay-Z, Nelly, Lil Wayne, Erykah Badu and Kanye West, D-Mor (my new nickname for him) will be rubbing elbows with J. Cole, Three 6 Mafia, Wyclef Jean and OutKast.

Actually they will be rubbing their lips somewhat south of D-Mor’s elbows.

So, if you are gonna sell your soul to The Man — D-More, “You da man!”

Maybe someday, the music business will return to … umm … music.  It won’t be the models and body-builders who are rewarded with contracts to make videos, but maybe people who can actually sing, or play an instrument or do something besides sample somebody else’s hit songs, scratch records and recite a page from a rhyming dictionary will be able to record audio.

WADE

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Gasoline Alley has been around forever.  It was old when I was a wee lad.  It shows the difference between modern one-shot gag strips today and the leisurely pace of illustration in the early 20th century.

Here is a contribution from Joyville:

WADE

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There!

I’m just getting out from these latest crazy weeks crammed with work (of that kind one has to do to live decently), particular obsessions (what would Life be without them?) and a lightning visit to Paris (where I had the pleasure to meet nice and very talented women: Mathyld, Lili Scratchy, Chamo, Delphine Durand: thanks so much for sharing with us a piece of your time).

Luckily, a comic lover always get any time to taste the fruits of the noble art of cartooning. As for me, I gave it completely to reread Frank King’s Gasoline Alley (a little part of King’s vast volume of work, of course). And it worked like a motherly hug, as it couldn’t be any other way!

To tell the truth, the strip was practically a mystery to me before D+Q decided to reprint it. Yes, I had seen before some scraps here and there, but naturally nothing to draw my own conclusions. So here goes my deeply thanks to Jet Heer, Chris Oliveros and Chris Ware, the editors of this gem, because Gratitude is the sign of noble souls.

Otherwise, one can’t help feeling a lively sensation of being a witness to a medium establishing its form and conventions while reading Gasoline Alley nowadays. Frank King amongst other masters had the privilege (and cleverness) to lay comics foundations in order to Cartooning was regarded as a real mass medium: an art with its own, not transferable language.

Comic is necessary elliptical, a “space” where the reader has to fill up the gaps, and so panels (and the gutter between them) turn into the most significant tools in comics. And I was surprised how was King conscious about this matter. Look these comic strips from the early years:

Read more on Gasoline Alley — A Timeless Place…

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