If you don’t know music theory and the formula for telling the key signature of a song by the number of flats and sharps in it — here is a SNEAKY MUSICIAN’S TRICK (one in a long series — collect them all).
This works for MOST songs — there will always be exceptions. But I’d say at least 90% or 95% or maybe even 99% will follow this rule.
If you have sheet music or a guitar tab or anything else that shows what chords to play for the song — just flip back to the very end.
The last chord of the song is usually the root — the key of the song.
So if the last chord is a G, what key is the song in? Class? Anyone? Bueller?
That’s right — key of G.
One kinda cool trick that proves this wrong is taking a minor song and ending it in a major chord (or vice-versa).
For example, Am (which is the relative minor of the key of C) is a popular key for rock songs. Chords in the key will be all the chords of the key of C (C-F-G7) as well as the Am-Dm-G.
The full range of chords in this key is —
Am-Bm (or Bm7b5)-C-Dm-Em-F-G7
These are the same chords as in the key of C.
So what if we are playing a cool sounding chord progression of Am-F-Dm-G and then we end it (resolve to) the A MAJOR?
Well, Am or A Maj — what’s the difference?
Obviously, A Maj is in the key of A — right? and Am is in the Key of C
so we’ve technically changed keys for the last chord.
Now, go online and find some chord charts or tabs and see for yourself — what keys are the songs in?
WADE
tags: guitar, chords, music theory, tabs, sheet music, key, relative minor
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