December 2020 Archives

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Happy Craig Day!

Those who know me personally or have been following me the past several years know that I celebrate the first week of December as a memorial to my late, great big brother Craig, who passed away at age 49 in 2002.

Craig was born on Dec. 4 and died on Dec. 6 — much too soon — of colon cancer. Now, it has been 18 years and I can hardly believe it.

Craig Ward Playing Bass
Craig LOVED Music!

We grew up in Kansas, and at the time, you could drink 3.2% beer (or tavern beer as opposed to 5% beer from liquor stores) and buy cigarettes at age 18. To really make myself feel old, I’ll tell you that Craig and I could buy a six-pack of beer and a pack of cigarettes for $5.00 and havea great Saturday night! Ahhh those were the days.

But Craig is gone now, beer and cigarettes are expensive, and I’ve quit both vices over the years. Yes, the times change.

One strong bond Craig and I had was music. Being two years (and a few months) older, he led the way. He was a music fan from an early age, and the early 60s were the golden years of American pop music.

It was also the era when transistor radios were relatively new, but the prices had gone down. He had a small radio that would fit in his shirt pocket and with an ear bud (music was all mono, not stereo), he could listen music any time he wanted.

Craig carried the local paper after school, and while walking his route, he had his radio plugged into his ear.

One sweet old lady on his route knew our grandmother, and told her, “It’s a shame that someone so young has to wear a hearing aid.” Such innocent times we lived in.

Of course, if Craig got interested in something, then I got dragged in (or went willingly most of the time). We talked music a lot, bought the magazines like Hit Parader that printed the lyrics (with horrible typos), and we bought records — 45 RPM singles.

Most songs were called by the first line of the lyrics, even if that wasn’t the title. For example, it’s Christmas season now, and everyone knows “Chestnuts Roasting On An Open Fire.” But that’s not really the title of the song — it’s “The Christmas Song” (creative, huh?).

Craig had a wacky sense of humor, so he would refer to songs by some lyrics that might be deeply buried within the song. Usually I knew what he was talking about. But he would really try to stump me by calling a tune by an obscure rhyme in the last verse. When we started playing guitars, he’d say something like, “Let’s do ‘Loudmouth Yankee.'” I knew he meant the Monkees ‘song “What Am I Doing Hanging ‘Round” that started out with the lyrics:

“Just a loud-mouthed Yankee, I went down to Mexico.”

He could get a laugh out of me by doing something silly — like calling the Elvis Presley song “All Shook Up” by the title “Itching Like A Bug On A Fuzzy Tree.”

With all the transitions in his life, there was always music as a constant. I believe I got my love of music genetically, but it was one of the very strong bonds I had with my brother.

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Some witty person once said that writing poetry is a bad habit, but it is even worse if they read it in public.
I’ve had that bad habit — mainly writing song lyrics — for many years. I just can’t quit. However, I also collaborate with people and that mitigates my sins (I hope).
On this — the anniversary of John Lennon — I want to turn serious for a moment (I promise I won’t keep it up long).
Once upon a time I was noodling around on the piano, and while I was playing “Imagine” (John Lennon’s masterpiece), I got a few chords wrong but found out that I liked the way it sounded.
I used that as a springboard to write a song that is NOT a direct copy of Imagine, but is in the same spirit.
But over the years I have failed to write a lyric that satisfies me.
My wish this year is that I can find someone willing to write lyrics for me. I call the song “Peace On Earth” because one of John and Yoko’s causes was world peace.
Is there anyone who would like to take a shot at it? I’d love to have this tribute to John Lennon in my portfolio, and if it ever became commercially viable would share ownership equally with any person (or persons) who can finish up this song for me.

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The Beatles WERE pop music in the 60s, but when they broke up The Bee Gees took over in the 70s.

The Bee Gees at the height of their disco fame.
Kings Of Disco — and More — The Bee Gees

When we talk about pop music, we mean the top  40 record charts and the sales of singles. It was a different world and a different musical industry in those pre-digital days.

The Bee Gees were melodic songwriters and harmonic singers. The brothers Gibb started at an early age (twins Robin and Maurice were only 5) so they were perfectly synchronized as songwriters and performers in a way that only family members can be. Unlike Lennon and McCartney, they weren’t soul mates, so there was competition and tension among the brothers that uniquely shaped their music.

Unfortunately, by the 70s, pop music veered away from melody and harmony and directed itself toward beats, rhythm, dance music.

“Listening Music” could be danced to, but not all dance music was listened to. It was a trigger for brain-stem reflexes that got people tapping their feet, snapping fingers, clapping hands, and moving on the dance floor. Lyrics were not necessary, and devolved into patter, doggerel, and cliche.

When the BGs started writing dance music, it was characteristically melodic and they used their harmonies to great effect. Some of the falsetto harmonies are absolutely out-of-this-world.

But by popularizing disco for the mainstream audience, they opened the door to the crass commercialization and eventual degradation of it. The sterling example in this video is “Disco Duck.”

Everybody had to jump on the Disco bandwagon — The Stones, Rod Stewart, and even Johnny Mercer (he did “That Old Black Magic” as disco!).

Eventually (quickly), the Gibbs saturated the market to the point that they became unpopular. A harsh blowback of “I Hate Disco” followed, the their music would not get played on the pop stations. Even if their name was poison to radio programmers, their music was still covered and they still wrote new material for a variety of artists — Barbra Streisand, Kenny Rogers & Dolly Parton, and a host of others.  Oh yeah, and they gave some of their fame to younger brother Andy Gibb who had a bunch of smash hits before dying of drug abuse at age 30.

Today, we are in an era of niche-markets although there is still a mainstream music market. However, the numbers are much smaller today — it’s not easy to earn a million dollars when Spotify only pays something like 1/1000th cent royalty.

You might say there were two Bee Gees — the Before and After Disco groups.

But there are more than two types of Bee Gees fans — there are the Before Disco, the After Disco, and those who love everything the Brothers Gibb ever did.

POSTSCRIPT: Sir Barry Gibb is the sole surviving of the four brothers (they also had one sister, oldest sibling Lesley Evans, still living) and is actively performing at age 74. That makes a 65 year career — and still going.