Judy Garland

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In a rare event, one that could happen only once in every millenium, two insignificant celestial objects colided. That happens often, but this time, it kindled a massive celestial event that shaped the world as we know it.

A young vaudeville wannabe named Joey was going nowhere with his act — a pantomime accompanied by records. He was able to get jobs on the theater circuit in the days before motion pictures put the live stage out of business, but it was a meager living.

Another show-biz climber named Dino had trouble holding a job — the bandleaders said he was too derivative and he needed to get a nose job if he wanted to be serious.

They met while both were on the bill at one of the minor mob-owned clubs in Atlantic City in 1945. The owner wasn’t happy with either one and threatened to fire them if the late show that evening didn’t get better attendance.

Joey went to Dean and proposed that they disrupt the program — they had nothing to lose. So when Dino went out to sing, Joey acted like one of the club’s waiters and caused a commotion by dropping plates and breaking glasses. Dino acted angry and told him to get out and quit disturbing the audience. Joey heckled the singer, the singer heckled back — and the audience loved it.

The pair repeated the orchestrated fiasco three times a night at the club, and word got out that this was the place to go. There were long lines of people waiting to get in. The pair got offers to play other places for more money.

Dino got his nose job. Joey Levitch changed his name to Jerry Lewis — and the rest is history.

For ten years, Martin and Lewis were the top act in show biz. They made movies, they made records, they played sold out performances, they made money — hoo boy did they make a lot of money!

And then, for whatever reasons, they parted — and not on the best of terms.

Then, the world waited to see if either of them could make it alone. Was the singer good enough to compete without the comic?

And the surprise ending to the story is — the comic actually had a gold record before the singer did. The comic’s next movies — basically the same formula with different actors — were successful and the singer’s next movies were flops.

The surprise success of the comic’s singing career depended upon the fragile superstar Judy Garland. Garland had to cancel a performance in Las Vegas (reportedly because of strep throat), and her husband/manager Sid Luft asked Jerry to fill in. Legend has it that 30 year old Jerry — who hadn’t sung alone onstage since he was 5 years old — didn’t know what he could do at the last minute, so he asked what songs Judy was going to sing that night. One was the standard “Rock-A-Bye Your Baby” made famous by Al Jolson — who was Jerry’s idol. They orchestra had the arrangement and was well rehearsed, so Jerry said he’d do that song (he also did “Come Rain Or Come Shine” – a Johnny Mercer/Harold Arlen hit).

Jerry hit the stage, and schmaltzed it up — did his impersonation of Jolie — and the crowd went wild. He told jokes of course, but the musical performance was such a hit that he got an offer to put it out as a record — and that is what launched his solo career.

Meanwhile, Dino was getting buried by the critics for the flop of his first post-Jerry movie, “10,000 Bedrooms” and worse — the movie lost over a million dollars (steep in those days).

But neither success nor failure can erase the historical significance of Martin and Lewis — alone or together.

Jerry’s main contribution to the world was his tireless devotion the the Muscular Dystrophy campaign — which brings us to the reason for this essay:

Another Labor Day without Jerry Lewis is so sad for those of us who grew up catching snatches of his marathon telethon. Fortunately highlights survive and can be easily accessed online. The schmaltz of Jerry Lewis survives — as do his movies and recordings.

Frank Sinatra surprises Jerry by bringing Dino onstage at the telethon 20 years after they split.

For that, we are thankful. And for Labor Day — so sorry, you have to get along without Jer.

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My Funny Valentine — You will still hear this every Valentine’s Day, even 80 years after it was written. The song is tender but odd — like the person who wrote it.

Actually, the beautiful music was written by “Richard Rodgers” — the guy who wrote Oklahoma and The Sound of Music and a lot of other classic Broadway musicals that were hits on the big screen.

But the lyrics were not written by Hammerstein — the better known of Rodgers’ partners.

For about 25 years, Richard Rodgers wrote with Lorenz — or Larry — Hart. And no story from Broadway or Hollywood could match the real-life story of this tortured but talented soul.

Richard Rodgers and Lorenz Hart composing a song

Larry Hart and Dick Rodgers

“Funny Valentine” was written for (in most opinions) the greatest of Richard Rodgers’ musicals — “Babes in Arms.” The score of that show is like a greatest-hits compilation of Rodgers & Hart. “The Lady Is A Tramp,” “Have You Seen Miss Jones,” “Where or When” all have been adopted as

Read more on My Funny Valentine — Lorenz Hart…

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Dory Previn died on Valentine’s day.  She was 86.

Known mostly for her work on songs for the movies, she also had some success in the pop field with records released in the 70s.  She and her first husband, André Previn, were nominated several times for an Academy Award but never won.

Her six records were recorded after her divorce from Previn, her most successful being a live album.

Dory Previn

Dory Previn

Her songs were intelligent and insightful and most dealt with her personal life, which was a fertile field.  Her abusive father was gassed in WWI and suffered severe mood swings which resulted in violent behavior.  He deteriorated to the point where he boarded his family up in their home and held them at gunpoint for several months.

She broke into show business as Read more on Dory Previn — 1925 to 2012…

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